June 03, 2013
Just in time for Easter 2013 (as readers may recall), a new book claimed recent tests proved that the Turin “shroud” was not medieval, as carbon-14 tests had shown, but instead dated from the first century. The Archbishop of Turin, however, dismissed the results, because the fibers tested could not be authenticated as having actually come from the shroud. (As I pointed out in my blog of March 28, the tests were highly doubtful in any case.) Also, the new pope, Francis I, revealingly referred to the cloth as an “icon” (i.e., a work of art) rather than “relic” (which it would be, in Catholic parlance, if it had actually wrapped the corpse of Jesus).
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May 28, 2013
An exaggerated claim that transformed a simple prayer by the new pope into an “exorcism” has sparked controversy—provoking denials from the Vatican and a retraction from at least one church media outlet.
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May 21, 2013
[Pierre] Auguste Renoir (1841–1919) was, with Claude Monet and other French painters in the 1860s, a founder of Impressionism, a movement allied with artistic Naturalism. Its adherents sought to paint real life directly from nature—among their goals being to capture light’s changing effects. Why do we care? Because appreciation of art is part of what makes us truly human. As philosopher Paul Kurtz stated, speaking of secular humanist values, “We are engaged by the arts no less than the sciences.”
May 17, 2013
My first understanding of the moral imperative of racial integration probably came from my father. He had been a talented baseball pitcher in college (with, I’m told, an impressive all arms-and-legs delivery and a tremendous “slider” ball). I think some part of him always regretted giving up that tentative career for a sensible job and the role of family man, and he often talked baseball. I listened especially well during the fifties and sixties when that conversation turned to civil rights, and he would tell of having played against, and even at times bunked with, what were then known as “Negro” baseball players. That he considered them unquestionably equals no doubt helped spark my own involvement in the civil rights movement (especially during 1964–68).
May 13, 2013
When I attended Bigfoot School April 27 at Chautauqua Lake, New York, among the six signing my diploma was a man named Bob Gimlin, an 82-year-old horse trainer from Yakima Valley, Washington.
May 09, 2013
I cannot get over the horrific revelations in Cleveland where, for a decade, three girls—now young women—were held as sex slaves by a vicious sociopath. As I reflected on the case, however, I said to my wife Diana that once again “psychics” had failed to locate missing persons. Wouldn’t three victims in a single location have provided increased stimulus for the mystics’ touted powers?
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May 08, 2013
Life is continuing education, and in that spirit I keep seeking new experiences, tutelage, and personas. I achieved all of these on Saturday, April 27, 2013, by becoming a Bigfoot School Graduate and receiving my handsome Chautauqua Lake Bigfoot School Diploma—signed by several of the field’s luminaries. It now has an honored place next to my Ph.D. diploma and various forensics certificates.
May 03, 2013
As mentioned in a recent blog, I assisted with, and appeared on, an episode of MSNBC’s Caught on Camera, “Mysteries and Monsters” (April 21, 2013). It consisted of six videos or films of allegedly paranormal events, the probable solution to one of which I now treat at greater length.
May 01, 2013
Shown on a limited basis for a short time in select theaters, Girl Rising should attract humanists for its focus on the world’s need for girls to be educated. As the documentary’s narrator says, “Girls are simply one more thing the world has thrown away.”
April 24, 2013
On April 21, the popular MSNBC-TV show Caught on Camera aired an episode titled “Mysteries and Monsters.” I assisted in the research for the six segments and appeared on camera in three of them. Here is a brief synopsis of the entertaining show, together with some additional comments. (The segments are given in order, with an * indicating the ones in which I appeared.)